Camera Lucida: Reflections on Photography




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Barthes' last and most beautiful book
You don't have to be especially interested in photography to get something out of Camera Lucida. It was Roland Barthes' final book, the last of his great and highly idiosyncratic trilogy of autobiographical works (the earlier two being "A Lover's Discourse" and "Roland Barthes by Roland Barthes"). Although the book is ostensibly about Barthes' attempt to work out why he is moved by some photographs and not by others, it soon reveals itself to be a meditation on the absence inherent in photography. Barthes wrote before radical manipulation of the image had become a standard practice in photography, but even if he hadn't it would make no difference, as he is only interested in photographs insofar as they depict something that was there at that particular time, and is now (presumably) gone. He is particularly eloquent on a photograph - deliberately unreproduced here - of his beloved mother, who'd died shortly before he began to write the book. He...
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The Transparent Camera
Roland Barthes - Camera LucidaFrequently as I read through the brief, but provocative, Camera Lucida I would turn to the author photograph of Barthes on the back of the book. The further I got into Barthes' book the more I wondered just what he would have thought of the photo of himself. You see, in the pages of Camera Lucida Barthes explains how he sees most portraits as mere images that are far separated from the true identity, much less the soul, of the subject. And so I wondered, did Barthes ever see this portrait of himself? Was he the one who chose it for the back cover? Are the subtleties of this photograph effects Barthes consciously created as he posed for the camera?These questions that arouse in my mind went to the heart of, indeed were a product of my reading of, Camera Lucida. In this book Barthes explores the nature of photography, what sets it apart from other arts, what are its benefits, its liabilities. He also wonders what exactly a photograph is, what that...
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Camera Lucida moves me to tears.
One of my favorite books. Its discussion on thesubject of "photography" is incidental; instead, individual photos dominate. Camera Lucida is abook about loss & grief, mortality, and love. It is highly elliptical and idiosyncratic ("rambling" to some), beautiful and deeply moving. It's the one great thing I got out of English grad school.
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Product Description

A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag’s On Photography.
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Photography Degree Zero: Reflections on Roland Barthes's <I>Camera Lucida</I>




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An essential guide to an essential book, this first anthology on Camera Lucida offers critical perspectives on Barthes's influential text.

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By Roland Barthes: Camera Lucida: Reflections on Photography Second (2nd) Edition




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On Photography




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Customer Review


An interesting look into the societal meaning of photography
Photography, probably more than any other medium, is emblematic of the nature of modern Western society. Photographs are concerned chiefly with appearances, they are deceptively nuanced but essentially narrow, yet somehow they find great breadth in their mechanization and ubiquity. And, like our society, they tend towards an ultimate reduction of the dimensionality of time. Through photographs the past blends into the present, flattening into an omni-present "now" in which history loses its philosophical weight as it increases in familiarity. In a sense photographs are the ultimate invention of a humanist-capitalist society: they provide the commodification of memory itself! And like the society which originated them, they provide equal portions of help and harm, of truth and of fiction; they have undeniable value, but they also result in a certain loss of innocence, and of deeper values.The six essays in this book (all of which were originally published in the New York...
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An essential introduction to the importance of photography.
This is the ONE book I always tell my students to read, not because they will be better photographers but, because they will be better equipped to see and understand how photographic images have influenced our culture and our self- images. This is now more important than ever in the age of digital photography and images which are crafted to manipulate our feelings and decisions to consume, vote, love and even whether we like ourselves.It establishes a consciousness about the subject which is incisive and memorable. It is a brilliant work and a great contribution.
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Winner of the National Book Critics' Circle Award for Criticism.

One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as “a progress of essays about the meaning and career of photographs.” It begins with the famous “In Plato’s Cave”essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching “Brief Anthology of Quotations.”
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A classic, though somewhat dated, collection of essays
I am not a big fan of artistic criticism: I often find it pretentious and prolix. Sontag's essays can be described by these adjectives, at least on first reading. I suspected that critics are inherently like this (until I read Nancy Newhall), but I reread "On Photography" recently and have changed my opinion slightly: critics can be pretentious, but that is the nature of the task.Sontag's essays are complex and thought provoking, eliciting a flow of ideas that one needs to think about deeply: what is a photograph and how does it convey its message? How much truth does a photograph contain, if any? The answer to that last question is much more difficult with the advent of digital photography and the wonderous (or evil, depending on your viewpoint) manipulations that can be done in the digital darkroom.An issue that isn't discussed in great depth is the relationship between candid snapshots on one end of the spectrum, and fine art photography on the other; Photography as a medium...
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Classic Essays on Photography




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Customer Review


A great intro to photo theory and criticism
All photographers should read this book once. Starts with Daguerre. Mostly crit and theory by the artists themselves. Very good selection, enjoyable reading, goes fast. Should be required reading in every art school that teaches photography. Not for advanced theorists-it's an introduction to photo theory and crit-but it's a good one!
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Classic
It's a classical collection helpful not only to the people who are associated with world of photography but also to the social science and visual anthropology.
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Product Description

Containing 30 essays that embody the history of photography, this collection includes contributions from Niepce, Daguerre, Fox, Talbot, Poe, Emerson, Hine, Stieglitz, and Weston, among others.
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Nice introduction to the primary sources in the history of photography
Although Trachtenberg's collection has been around for awhile (since 1980), it provides a very nice selection of primary source materials on the history of photography. If you want to know what people were actually thinking and saying about photography during its first 140 years or so, you can find it here. In addition, Trachtenberg's introductions to the selections are quite good--not showy or promoting some particular intellectual hobby horse, but solid and factual and useful to students--I've been studying the topic for years and have found very few factual errors or questionable judgments in his material. The main limitation is that the book stops in the 1970s, so, for my course in history of photography I have to provide additional materials for the recent developments, such as digital photography and the relations between photography and computing and the internet. The only other common item somewhat like this is Goldberg's "Photography in Print," which costs twice as much and,...
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Black and Blue: The Bruising Passion of <I>Camera Lucida</I>, <I>La Jetee</I>, <I>Sans soleil</I>, and <I>Hiroshima mon amour</I>



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Audacious and genre-defying, Black and Blue is seeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films, Roland Barthes's Camera Lucida, Chris Marker's La Jetée and Sans soleil, and Marguerite Duras's and Alain Resnais's Hiroshima mon amour, postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement.

Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panormas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.

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BUY Black and Blue: The Bruising Passion of <I>Camera Lucida</I>, <I>La Jetee</I>, <I>Sans soleil</I>, and <I>Hiroshima mon amour</I>



Camera Lucida


Granted, there is a small, violent component to these demonstrations, but its members would not be doing all the violent protests, including physical damage to buildings and streets, if the majority doesn't allow them to continue.

The young "military boy" who greets Michelle (in the above photo) is taken in by Michelle's exuberance, which is something that would scare most kids away. " Jill Biden, who was also present, stands placidly, and adoringly, behind Michelle, as Michelle makes her speech with gesticulations and forceful expressions.

" I like the title of his chapter "Natural Beauty" which I think means the beauty actually found in nature, whether a human being, an animal or a plant. But he doesn't have any views on "Rejecting Beauty" and ultimately "The Elimination of Beauty.

Get out of the pajamas and dressing gown mode, and actually wear some real clothes that are not for sleeping in. “Pajama mode” dressing includes baggy sweat shirts and sweat pants, and t-shirts, sloppy slippers/flip flops, etc. Rather than a sweat shirt, put on a dress shirt, or a short-sleeved golf shirt. Try a Hawaiian shirt, a short-sleeved golf shirt, sweaters, penny loafers, Dockers once in a while. Adults who tease you with subtle jibes are not worth paying attention to, especially if they are the types that wear the droopy sweat shirts and old t-shirts. Leave the t-shirts and sweat shirts for the garden or yard work. The young shop girl can look beautiful (or at least aesthetically pleasing) and can borrow her ideas form the wealthy socialite to form her own pleasant look. The MTV DJs or the slovenly week-end sweat shirt wearers have become standard bearers of our contemporary style. You’d be surprised at how people dress at home, when they think that “no one” is looking. Dress up when visiting friends, and when friends come to visit. Don’t pull out the Hawaii shirt for this one. You can be comfortable in a loose shirt and pants.




Camera Lucida News


 
  • Art Deco vase is unique and undiscovered


    A: You have a French camera lucida (chambre claire universelle). It is a device that projects a virtual image on paper while looking through various lenses. Once the image appears, the viewer can draw the object by tracing the outlines of the projected

  • My Life in Pencils


    Hundreds of pencil enthusiasts were there: drawing, graffiti style, on big white sheets of paper, adding to small communal notebooks, creating do-it-yourself Thaumatropes, experimenting with the camera obscura and the camera lucida.

  • Fini: Da Giuseppe Pisanu analisi lucida


    Lo annuncia il leader di Fli e Presidente della Camera, Gianfranco Fini. Una nuova casa dei liberaldemocratici che porti al superamento dell'esperienza del Pdl e che getti le condizioni per dare vita ad uno scenario politico basato su due soggetti

 
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